Search Results

“... own boredom and futility that they could be comprehended in one glance.’ Comprehended by whom? Edward P. Jones is unfashionably interested in fate and endings, and likes to gaze at the wide horizons of his characters’ extinctions. His remarkable novel, The Known World (2003), owes something to The Mayor of ...”

“... his life took place before he was born. He was the great-grandchild of the Pre-Raphaelite painter, Edward Burne-Jones, and was thus connected with both the Kipling and the Baldwin families; he was the grandson of an Oxford Professor of Poetry (of no great distinction, it must be admitted); and the son of Angela Thirkell, the ...”

“... Macdonald, an independent woman tied by an early marriage to the demanding, fickle, hypochondriac Edward Burne-Jones, who first took sick on their wedding night – the intended honeymoon was in Paris, but they got no further than Chester. The Macdonald family’s origins were modest. They were from Methodist stock, their ...”

“... are among the best made for 19th-century fiction), he was at one with his public. Burne-Jones, who has had a better posthumous press and prices, was a bohemian. He was making beautiful paintings when you could call a painting ‘beautiful’ in much the same way you could a girl, a horse or a grove of trees. Beautiful pictures were of beautiful ...”

“... means-ends rationality. ‘I hope sincerely it will be all the age does not want’ (this is Burne-Jones writing about the glorious Kelmscott Chaucer): ‘I have omitted nothing I could think of to obstruct the onward march of the world … I have done all I can to impede progress … having put my hand to the plough I invariably look back.’ Or: ‘Every ...”

“... powers of Rossetti, exerted quite carelessly and even unintentionally, made the young Burne-Jones his disciple. ‘I would have been chopped up for Gabriel,’ he said. Rossetti supervised him, tried to jolly him along, and introduced him everywhere. In the July of 1857, when Burne-Jones was 24: ‘Gabriel took me out ...”

“... There are​ self-trained artists; then there are self-willed ones. Edward Burne-Jones, like Vincent Van Gogh, was one of the latter. That’s to say, he decided, in 1855, to be an artist – he was studying for a theology degree at Oxford at the time – without knowing whether he was capable of being one, perhaps even without considering absence of talent a potential obstacle ...”

“... the last thirty years is to compare the introductions to the first and most recent editions of Edward Jones and Christopher Woodward’s Guide to the Architecture of London. In 1983, they wrote of a city in decline, its population down by about a sixth from its postwar height. ‘London is cleaner and uglier than it was at the beginning of the ...”

“... to Giorgione, she refers to its possible influence on George Frederic Watts in the 1860s and Edward Burne-Jones in the 1870s. It also influenced Pater’s own fiction, as readers of Marius the Epicurean (1885) will appreciate: the young knight Cornelius tries on his armour ‘and as he gleamed there amid that old ...”

“... which in the early 1850s fired the imaginations of the Oxford undergraduates William Morris and Edward Burne Jones. But De Morgan was enrolled at University College, where there was no scope for picturesque medievalism. The spirit of place did not haunt Gower Street. Having failed to get a degree, De Morgan decided to ...”

“... he studied at Ghent and in the Antwerp Academy. Unlike William Morris, Dante Gabriel Rossetti, or Edward Burne-Jones, Brown profited from a broad and thorough education in the business of painting. Later, his art became a passion and a vocation. But it never ceased to be a job from which a living had somehow to be ...”

“... went up to post-Newmanite Oxford to encounter Ruskin and (in the form of his lifelong colleague Edward Burne-Jones) Pre-Raphaelitism. After Oxford, he and his friends set up an arts and crafts workshop in Red Lion Square and helped to paint the Arthurian murals in the Oxford Union, while Morris himself unleashed an ...”

“... checked in our days’ speaks the caution of 1867 as against the enthusiasm of 1832. But Ernest Jones could have done with Will Ladislaw’s luck. If Ladislaw’s connections with a ‘good family’ had been hopelessly vitiated by a parentage involving foreign and thus dubious, blood, Jones was well connected and wholly ...”

“... Simone Signoret. ‘There were other beautiful girls who could paint at the time,’ the architect Edward Jones recalled, ‘but none who were quite as wonderful as her.’ She had an acting career on the side, including a bit part in Alfie. She was almost cast as the lead in Darling, before Julie Christie came along. She danced on Ready Steady ...”

“... Edward Jones – the Burne came later – was born in Birmingham to a mother who died giving birth to him and a father who eked out a living as a frame-maker, although art, his son reported, ‘was always a great bewilderment to him’. The only person who seems to have recognised the boy’s talent – a neighbour who bought pictures to rework – had the dubious merit of having once painted stormy waves over a calm harbour scene by Turner ...”